As far as I can see, people always recommend to set inner margins smaller than outer margins, so that when a document is opened, the space between the two blocks of text basically looks like the left and right margin. This is done for instance in the famous method "Canon des ateliers".
However, usually the binding will likely hide a part of the page, making the inner margin look even smaller, potentially making the text close to the binding hard to read. This is true not only because a part of the paper will be glued, but also because of the natural curve that the paper will take close to the binding. It seems that the geometry
package specifies a bindingoffset
parameter, useful to take that setting into account (I'm not sure what is the official term for this notion outside of the LaTeX world). However, I don't see any reference to this notion in the "Canon des ateliers"'s method, and therefore I've no idea how to choose it properly.
Informally, I'd say that the binding offset would counter balance the smaller inner margin, making inner margin + binding offset
roughly equal to outer margins
. Actually, I checked in some books, and sometimes (but not always) the inner margin is even larger than the outer margin, and I find it much easier to read. On the other hand, books with smaller inner margin are quite hard to read...
So here are my questions:
- Why aren't typographic methods like "Canon des ateliers" are taking into account the binding offset?
- Is there any rule of thumb to determine the binding offset? In particular, I'm interesting in small documents (~20 pages) and bigger documents (~250 pages), when the binding is made by simply gluing the paper to the spine.
- Is it a bad practice to consider that
inner margin + binding offset = outer margins
, making the text centered on the page?
PS: I've read this and more, but I don't really have the answer to all my questions.